Sound Transmissions

Sound transmission paths can be interrupted by sound insulation and by blocking air paths. The sound insulation of a single leaf of a material is governed by its mass, stiffening and damping.

The sound insulation across a good conventional, lightweight, office to office construction is typically in the order of 45 dB Dw. This means that if the sound level in the source room is around 65 dB, (a typical level for speech) the sound level in the adjacent room, the receiver room, will be approximately 20 dB (barely audible). If sound levels are increased in the source room however, to 75 dB (raised voice), sound levels within the adjacent room will also increase to around 30 dB (audible). Sound insulation therefore describes the level of sound lost across a partition and not the level of sound within an adjacent room.

Dw represents the sound insulation between rooms on-site. Rw represents the lab tested sound insulation of an element making up a partition wall/floor type. Standards achieved in labs may not be possible on site because of the quality of workmanship and due to sound ‘flanking’ acoustic elements, that is, travelling around them through an easier path, rather than only directly through them as under lab conditions.

The building regulations part E sets minimum standards for design and construction in relation to the resistance to the passage of sound.

Sound Privacy

Privacy describes the perceived sound reduction across a wall. Privacy is a function of both sound insulation and background noise. Background noise is made up of services noise and environmental noise sources breaking in through the facade or open windows, vents etc.

If the background noise within a room is increased by 5 to 10 dB, the perceived level of privacy across a partition is also increased by 5 to 10 dB. Therefore, when looking at required sound insulation levels on-site, it is important to consider both the background noise in the receiver room and the sound insulation across the partition.

Reverberation Time

The ‘reverberation time’ of a space changes the way the space ‘sounds’ and can affect the intelligibility acoustic information. A high reverberation time can make a room sound muffled, loud and noisy. Rooms designed for speech typically have a low reverberation time, whereas a higher reverberation time can add depth, richness and warmth to music.

The reverberation time of a room is defined as the time it takes for sound to decay by 60 dB after an abrupt termination. It is linked to the total quantity of soft treatments and the volume of the room.